Is it sacrilege to declare that the best-looking film au-dessus in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French argent – as well as the neoclassical edifices of Mussolini’s Rome – in relax Chagrin and shards of light as sharp https://contenu-num-rique89012.life3dblog.com/31769633/le-guide-ultime-pour-flux-de-revenus-passifs